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5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres.[1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one").[2] Dolby Digital, Dolby Pro Logic II, DTS, and SDDS all common 5.1 systems. 5.1 is also the standard surround sound audio component of digital broadcast and music.[3]
All 5.1 systems use the same speaker channels and configuration, having a front left (FL) and front right (FR), a center channel (CNT), two surround channels (surround left - SL and surround right - SR) and the low-frequency effects (LFE) channel designed for a subwoofer.[4][5]
History
[edit]An early predecessor to five channel surround sound appeared with the 1953 20th Century Fox film The Robe. The studio felt the film needed a larger soundstage to match its wider CinemaScope presentation and released it with four-track magnetic stereo sound with left, right, center and mono surround channels. Dolby Stereo was introduced in the 1970s, which similarly featured a four channel soundtrack.[6]
A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy, however, it had no dedicated subwoofer channel and used only two surround speakers in the rear corners of the auditorium thus causing the same problems with audience coverage uniformity that had been fixed in Fantasound (1939) by using surround arrays.[7] There was an early Dolby application of optical matrix encoding in 1976 (released on the film Logan's Run), but it did not use split surrounds, and thus was not true 5.1.
The 1977 release of Star Wars featured a six-track stereo mix developed by Dolby called "baby boom" that consolidated vocals to the center channel, while the left-center and right-center channels were used to enhance deep bass effects.[6] Dolby first used split surrounds with 70 mm film during the postproduction of Apocalypse Now (1979), which director Francis Ford Coppola and editor Walter Murch used to create a more immersive soundscape for the film's helicopter sequences.[8][9] Because of the lengthy production of Apocalypse Now, Superman (1978) was the first film released with split surrounds. Instead of the five screen channels and single surround channel of the Todd-AO format, Dolby Stereo 70 mm Six Track provided three screen channels, two high-passed surround channels, and a monophonic low-frequency channel. The name 5.1 was given in a Society of Motion Picture and Television Engineers (SMPTE) Committee on Digital Sound on Film in 1987 by Tomlinson Holman.
The first system with digital 5.1 surround sound was Dolby Digital in 1992 with Batman Returns, followed by DTS in Jurassic Park in 1993, and SDDS with Last Action Hero in 1993. Kodak and Optical Radiation Corporation introduced Cinema Digital Sound (CDS) in 1990 with Dick Tracy, but it had no analog backup and after failing on opening day it was phased out shortly thereafter.
Tomlinson Holman built a four-channel panner in 1982 for Return of the Jedi using parts from his earlier Apt/Holman preamplifier. It was extended to 5.1 by Sound Workshop (with proper credit) and SSL in its 5000 Series (with no credit). The console included ABCDEF channels: respectively, A left, B right, C centre, D left rear, E right rear, F bass.
When digital sound was applied to 35 mm release prints, with Batman Returns in 1992, the 5.1 layout was adopted. The ability to provide 5.1 sound had been one of the key reasons for using 70 mm for prestige screenings. The provision of 5.1 digital sound on 35 mm significantly reduced the use of the more expensive 70 mm format.
5.1 digital surround, in the forms of Dolby Digital AC-3 and DTS, started appearing on several mid-1990s LaserDisc releases, among the earliest being Clear and Present Danger and Jurassic Park (the latter having both AC3 and DTS versions). Many DVD releases have Dolby Digital tracks up to 5.1 channels, due to the implementation of Dolby Digital in the development of the DVD format. In addition, some DVDs have DTS tracks, with most being 5.1 channel mixes (a few releases, however, have 6.1 "matrixed" or even discrete 6.1 tracks). Blu-ray and digital cinema both have eight-channel capability which can be used to provide either 5.1 or 7.1 surround sound. 7.1 is an extension of 5.1 that uses four surround zones: two at the sides and two at the back.
Application
[edit]Channel order
[edit]The order of channels in a 5.1 file is different across file formats. The order in WAV files is (not complete) front left, front right, center, low-frequency effects, surround left and surround right.[10]
Music
[edit]
In music, the main goal of 5.1 surround sound is a proper localization and equability of all acoustic sources for a center-positioned audience. Therefore, ideally five matched speakers should be used.
Speaker placement
[edit]For playback the International Telecommunication Union (ITU) recommends the following configuration (ITU-R BS 775):[11][5]
- five speakers of the same size for front, center and surround
- identical distance from the listeners for all five speakers
- angle adjustment regarding viewing direction of audience: center 0°, front ±22.5° for movies ±30° for music, surround ±110°
See also
[edit]References
[edit]- ^ "Surround Sound Examined: 5.1 vs 7.1 vs Virtual Surround - Tested.com". Tested. Archived from the original on 30 November 2012. Retrieved 6 June 2019.
- ^ "Understanding Surround Sound Formats". Crutchfield.com. 23 September 2009. Retrieved 7 March 2011.
- ^ "What is 5.1". Archived from the original on 17 March 2012.
- ^ "Help Guide | Names and functions of speakers". helpguide.sony.net. Retrieved 12 June 2023.
- ^ a b "Help Guide | Installing 5.1-channel speaker system". helpguide.sony.net. Retrieved 12 June 2023.
- ^ a b Apocalypse Now) The Birth Of 5.1 Sound, 2006, retrieved 5 June 2025
- ^ Mosely, John (January 1977). "Quintaphonic Sound". Journal of the SMPTE. 86.
- ^ Sragow, Michael (27 April 2000). "The sound of Vietnam". Salon. Retrieved 16 June 2025.
- ^ Macaulay, Scott (30 November 2014). "The Sound of Helicopters in Apocalypse Now - Filmmaker Magazine". Filmmaker Magazine | Publication with a focus on independent film, offering articles, links, and resources. Retrieved 16 June 2025.
- ^ "Multiple channel audio data and WAVE files". Retrieved 19 November 2015.
- ^ Thomas Lund (1 September 2000), Enhanced Localization in 5.1 Production, Audio Engineering Society, retrieved 19 November 2015